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Soft Cell's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, one half of the pioneering 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Together with vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is regarded as a classic of synth-pop.

He subsequently founded the pioneering electronic act The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died peacefully in his sleep at his home in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball performed in a wheelchair, as he had for the last two years, following a spate of ill-health.

"I ended up damage myself significantly," he stated in a recent interview. "I fractured lower vertebrae in my back and cracked about five ribs and broke my arm."

Following catching pneumonia and suffering from blood poisoning, he was put in an induced coma and remained in hospital for half a year.

Nevertheless, he had been in "a great place emotionally" over the summer, as he worked on a fresh record with Almond, called Danceteria, which is set for release in the coming year.

"He was focused and so happy with the new album that we literally completed only a few days ago," said the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive year for him, and I take some solace from the fact that he heard the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant musical genius", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense part of my life and for the songs you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is different from being in a group, the connection is incredibly close," he continued.
"That's how it was with us. We went through so many extraordinary, incredible, life-affirming moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Born into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He grew up in Blackpool with adoptive parents his caregivers, who changed his first name from Paul to his adopted name, together with his sibling Susan, who was also adopted.

He met Almond at an art college in the late 70s, where they were both learning fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly produced an EP.

Musical Partnership

The pair were an distinctive pairing: Ball was the reserved technician, bent over his synthesizer, while Almond was a flamboyant showman, all sparkle and makeup; but they attained a unique creative synergy.

Ball had developed a fascination with synthesizers after watching Kraftwerk perform on BBC program Tomorrow's World, and began to marry dark electronica to the soaring melodies Almond was writing.

Their signature song became the UK's second biggest-selling song of the early 80s, shifting millions of units worldwide. Together with successful tracks by Gary Numan, contemporary bands and electronic acts, it helped cleared the path for the electronic music style of the 1980s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Career Highlights

Success had its benefits. "I loved being able to afford my initial property, having financial security and travelling, which might seem like a beauty queen," Ball not long ago shared with a music magazine.

But it also presented challenges. "Sudden riches meant we could afford newfound drugs to relieve the monotony" of press appearances and TV performances, Ball said.

"I know that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to produce a second memorable record - the unconventional, tense and fittingly named The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before dissolving the band to concentrate on other projects.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

Following a further hiatus, they returned in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on September 30, that year.

Yet, they remained active, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently described the duo's new album as a homage to the New York club scene they frequented while recording their initial records.

He noted that his period in hospital had shaped the group's music.

"I experienced strange recollections when I was in and out of the hospital because I was on morphine," he explained to a music magazine.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"Simultaneously, it's about the experiences me and Marc got up to in the 80s."

The last versions were completed only days before Ball died. It is scheduled for launch in Spring 2026.

The writer

Michelle Torres

A cultural historian and writer passionate about documenting UK arts and heritage through engaging narratives and research.

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